For many many years, I have collected pieces of fiber art whenever I travel. Most of the pieces from my early days were finished, and some were even mounted. But I have a few from Central America which do not have finished edges, and I thought about it for quite some time before deciding how to mount them. I decided not to put them under glass, so most of the raw edges were going to be turned under or pulled to the back of the mount somehow. The one exception was the bird embroidery piece from Guatemala, where I decided to leave the bottom free to show the raw edge of the dishtowel background fabric. Another heavily embroidered piece is also from Guatemala, and shows off lots of Mayan cultural symbols. It's also done on a dishtowel type of material, with no lining, so the fabric ends up with a fair amount of buckling. The third piece is from Panama, and was a gift from a friend who visits there every year. You can probably see pretty clearly ...